ACC 206 Articulation Control Console

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Description

The moniker Note Perfect was chosen by Bruce Brisson to represent MIT product or products that meet or exceed his best expectations. Look for this symbol of excellence when working on systems that are intended to return performance without peer.

The ACC 206 and 210BW are a blend of the smaller size of the ACC 169 plus the stylish and vibration isolating features of the ACC 268. To increase performance MIT adds more Poles of Articulation, which demands a slightly larger enclosure. As with all ACC Series interfaces, the ACC 206 is designed to sit next to, or behind, a mid to large sized speaker enclosure. ACC 206 and 210BW technology provide increased saturation of image that will appear “seamless” to the listener. You’ll experience textures and timbre that are realistic, believable and hugely dimensional from left to right, front to back and top to bottom. The unique 2C3D capabilities of this design are astonishingly realistic, and at the same time invisible in terms of speakers and speaker placement. The “speakers disappear” is a description commonly used by knowledgeable audiophiles when they first experience the ACC 206 and 210BW.

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ACC Design considerations:

The stylish CNC milled solid billet aluminum enclosure used for the ACC 268 is the largest MIT has ever produced. This is warranted both by the size of the internal parts as well as “proximity sensitivities” that must be considered as the parts are located. Articulation control consoles include several new anti-resonance schemes, including internal surface alignments and new methods of isolation.

Machined enclosures:

The internal parts of each ACC interface are primarily handmade and require about 200 hours of labor to complete. Each component is meticulously matched, piece by piece. every part is positioned and hand soldered in place. The complexity and number of networks involved require more internal space and insulation from vibration. This is managed by mounting and isolating the network assemblies on an internal plinth, eliminating sympathetic resonances that can affect playback. The result is imaging of unprecedented clarity and dimension.

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